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The art of slow decorating

Prising open the encrusted paint lid, I get my wooden stirrer (one tip already covered in dry paint from a previous project) and carefully submerge it, all the way to the bottom of the tin where I can feel a thick layer of sediment. In steady slow circular motions the chalk, china clay, titanium dioxide and pigments come together once more turning through the tones of grey to resemble one of the fifty shades with which I have painted our house. I delicately pour it like double cream onto a pudding into my painters tray and carefully climb the step ladder.

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